A month of content. Before your coffee goes cold.
Content Studio takes one brief and hands back a presentation, an article, an infographic and a narrated animated video — every one of them already wearing your fonts, your colours, your logo and your house rules. Not a template library. Not another prompt box. A studio that structurally cannot go off-brand.
One brief
Q4 launch story for enterprise CIOs. Confident, no jargon. Deck, article, infographic and a 60-second video.
Presentation
.pptx + live web deck
Article
long form, your voice
Infographic
one page, one idea
Video
animated, narrated
The problem
Content is the slowest thing your company does
A single deck takes a fortnight, three reviewers and two agency invoices — and it still ships with last year’s logo on slide four. The article says something slightly different. The video was never made at all. Meanwhile the launch date has not moved once.
The way it works now
11 days
Brief, agency, draft, brand review, revisions, re-export. Every format starts again from zero — and the deck, the article and the video end up looking like three different companies.
The way it works here
58 seconds
One brief, four formats, one brand kit enforced on all of them. Reviewed against your own guidelines before it reaches you, and versioned the moment you change your mind.
What it does
It does not help you make content. It makes the content.
Four formats. One brief. No second draft of the brief.
A presentation, an article, an infographic and a narrated animated video, generated together from a single description. Each format is written to its own playbook, so the deck does not read like a blog post that was chopped into slides and the video does not read like a deck someone narrated.
- Decks ship as a real .pptx and as a live web deck
- Articles and infographics in your voice, not a model default
- Video arrives animated, narrated and cut to length
Your brand kit is not a suggestion. It is the law.
Fonts, colours, logo, spacing, motion and every written rule your team argues about live in one brand kit — and a reviewer checks every draft against it before the draft ever reaches you. There is no off-brand escape hatch, because nothing off-brand gets out.
- Format-scoped playbooks: rules that apply only where they should
- Guardrails and prompts owned by your workspace, not by us
- Export the whole kit as one file and import it anywhere
Decks that present themselves
Transitions, per-bullet builds, click, swipe, keyboard, an overview grid and a kiosk mode that loops a booth unattended all day. The motion is written back into the .pptx as well, so PowerPoint plays the same show you rehearsed in the browser.
- Speaker-ready in any browser, with no plugin and no upload
- Printing still reveals every hidden slide and build
- Kiosk mode for a stand that runs without a human
Revise it by telling it what is wrong
Say it in plain English — one slide or the whole deck — and it comes back rebuilt as a new version, with the old one still sitting there untouched. Hand edits go through the same validation and rebuild, so a manual tweak can never quietly break the file.
- Every revision is a version, and every version is restorable
- Filed by category and subcategory before it is even generated
- Cost of each generation shown to the cent, per conversation
Convert
Drop in a PowerPoint. Get back a web page nobody can tell apart from it.
Not a screenshot. Not a rough approximation a model hallucinated from your slide text. Creeklog opens the file itself — every shape, every gradient, every crop, every animation — and redraws it in the browser, pixel for pixel, with the show still running.
Every conversion is scored against what was actually in the file, and the score is stamped on the version. You can see how close it landed before you send it anywhere.
- shapes
- 187 presets, drawn from formula
- morph
- timed against PowerPoint itself
- ink · 3D · video
- redrawn, paired, re-encoded
- language model
- never touches an exact render
187 shapes, traced
Every PowerPoint preset geometry is drawn from its actual formula, not approximated with a rounded rectangle and an apology.
Morph, measured
Morph transitions were timed against PowerPoint’s own movie export — curve for curve, frame for frame, until they matched.
Ink, 3D and video
Pen strokes redrawn as real vectors, 3D models paired across slides, embedded video re-encoded and served three times lighter.
Zero guessing
No language model touches an exact render. It cannot invent a slide you did not write, because it never writes one.
What it needs from you
Three things, and none of them is a designer
If you have a brand kit and one sentence describing what you want, you can ship something today.
A brand kit
Fonts, colours, logo, motion and whatever written rules your team already argues about. Import the ones you have, export the ones you build, and move the whole kit between workspaces as a single file.
A brief
A sentence or a page. Audience, topic, length, tone. Tick the formats you want and each one is written to its own playbook rather than copied from the others.
A category
Everything is filed before it is made — category and subcategory, managed by your workspace. Nothing you generate ends up in a folder called untitled.
Give it one brief and watch what comes back
Start with the deck you have been putting off. If what lands is not on-brand and not ready to present, do not bother building the second one.